After 19-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2+ million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continues to push the envelope and test the limits. Their latest studio album, The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one.
As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp. Bits and pieces of classic songs are culled from 40-plus years of popular music from 70s Reggae to 80s Pop to 90s Metal and everywhere in between. From Radiohead mashed with Beck, The Weeknd with Fleetwood Mac, Talking Heads with Bob Marley, Metallica with Gorillaz . . . nothing is off limits.
The original Umphrey’s McGee played a mix of originals and cover songs, waiting just eight months to release their debut album, the cheekily titled Greatest Hits Volume III. Their initial “proper” recording, Local Band Does OK, came out in 2002, followed shortly afterward by an appearance at the first-ever Bonnaroo in Tennessee, selling more albums than any other band on the bill. The 2007 double album, Live at the Murat, earned a four-star review in Rolling Stone and a Jammy for Best Live Album.Read Full Bio
UMBowl - “Fans attending UMBowl, the annual concert put on by Chicago band Umphrey’s McGee, will be able to steer the show by texting song requests in real time and suggesting themes for musical improvisation.”
Headphones & Snowcones - “I heard the future of rock and roll, and it is called headphones & snowcones.”
“...a close, immediate way into the kind of details that can make my night: the union of David Gilmour's stiletto-treble poise and Eddie Van Halen's torrential shredding in Cinninger's exuberant, extended breaks; the empathic precision with which the band turns in the segues.”
Umphrey’s McGee is a touring powerhouse, performing 100+ shows per year, headlining annual shows across the US including Red Rocks Amphitheatre in Morrison, CO and the Beacon Theatre in New York. Umphrey’s is a constant US festival staple, with performances at major events including Lollapalooza, Austin City Limits, Rothbury, and Bonnaroo (for a record tying 7th appearance this year), as well as international festivals Fuji Rock Festival (Japan) and Byran Bay Blues Festival (Australia). The band hosts their own festival in Illinois, Summer Camp Music Festival, where they perform three nights, and have hosted the likes of Primus, Janes Addiction, Thievery Corporation, and Willie Nelson, to name a few. Umphrey’s McGee has also hosted and headlined Jam in the Dam (2006. 2008. 2010), a three night mini festival at the Melkweg in Amsterdam.
“With 15 years of continuous touring, an exceptional lighting director..and a loyal Midwest fanbase...Umphrey’s McGee has solidified themselves as a top tier act that closed out a commemorative year in style.”
- Record and release every show (100+ live albums/year)
- 4.3+ million live tracks sold
- 10 studio albums
Visit umlive.net for full live catalogue